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(325 words) DeSantis has received numerous awards from ASCAP, including the ASCAP Foundation/Morton Gould Young Composer Award. He has also received two Howard Hanson Prizes and the McCurdy Prize from Eastman, as well as the Rena Greenwald Memorial Prize from Yale, the Theodore Presser Foundation Award, and fellowships from the Aspen, Norfolk, and Bowdoin music festivals. As a composer of concert music, DeSantis has been commissioned and performed by Alarm Will Sound, eighth blackbird, So Percussion, the Prism Saxophone Quartet, Opus 21, and Relâche, at venues such as Carnegie Hall, the Kennedy Center, Alice Tully Hall, the Library of Congress, and the Metropolitan Museum of Art. Recent highlights include a Carnegie Hall commission to arrange the music of Autechre for chamber orchestra. DeSantis's electronic music has appeared on a variety of labels including Global Underground, Cocoon, and Kanzleramt, and he has performed at clubs and venues throughout North America and Europe, as well as at the SONAR Festival in Tokyo. His original tracks and remixes regularly appear in the playlists of the world's top DJs including such luminaries as Laurent Garnier, Funk D'Void, and Danny Howells (who selected two of his tracks for his "Miami" mix record in 2005.) DeSantis is also a percussionist and technical director for Alarm Will Sound, with whom he has recorded the music of Steve Reich for the Cantaloupe and Nonesuch labels. From 2003 to 2005 DeSantis lived in Berlin, where he worked as a sound designer for Native Instruments. He is now in charge of documentation for Ableton. (100 words)
He is also a percussionist for Alarm Will Sound, a leading contemporary music ensemble based in New York. His concert music is widely performed and includes a 2007 Carnegie Hall commission to arrange the music of Autechre for chamber orchestra. DeSantis is in charge of documentation for Ableton, and previously worked for Native Instruments. |
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